Welcome to Tuscoro.com

Read More......

Monday, April 13, 2015

The Native American Petroglyph and Pictographs. PART TWO

The Following is Copyright Material.
share if you choose but give credit where credit is due

The Ancient Hieroglyph PART 2

Remember, at the end of this treatise which will be several parts, I will give and explanation of the first two photos found in the first part, in the form of what I have come to call a "breakdown" of the panel or glyphs.


My first Panel
 (My journey began by following the (locator glyphs) found in the bottom right, "Cross over here (or this place), go to the top of the next hill or (ridge), go a Fair distance, 
(Which was approximately 1/3 of a mile)

In the course of teaching the principles of LaVan Martineau pertaining to what is commonly referred to as the Native American Petroglyph, many misunderstandings have come up, many questions as to different forms of hieroglyphs found here in North America regarding a relationship with the former, but are they really so different? If you do not approach this with an open mind you will receive no benefit. PROVE ME WRONG; I invite it, but don’t just throw me questions of which the answer cannot be understood if you do not understand where my answer comes from. How many times have you found yourself trying to answer some Religious question of which you know is perfectly understood by those who have read the book, but can’t seem to convey the same message with results, to someone who refuses to read the book from which the question and the answer derives? How many times have you received the answer Oh I’ve read the book with this supposing to satisfy you in why you are wrong when you know that not only have you read the book, studied it, applied the principles in the field and proved them, but have done this numerous times over the years?

The purpose of this part is in an effort to shed some light on the subject and clarify many of the things of which I feel I have failed to explain in previous attempts. A simple one time reading of LaVan Martineau’s book The Rocks Begin to Speak is NOT sufficient for most of its readers, many do NOT get the idea the first read. For clarification, we need to understand the terminology which I will be using so that you can understand my reasons for using different terms which have in the past been misunderstood as to what was being said.

In the following I am going to attempt to talk primarily about five seemingly different types of writing forms. Also mentioning others of which some are believed to be different from the others and they are only different in application (Different Rules, if you will), and different in that they are modified in the manner of different speech

Many will read and read and still it never clicks. To those people, my advice with no offense intended, is to toss in the towel; you were not meant to know. We will be talking about what is primarily referred to as Native American Petroglyphs and Pictographs, including what is believed to be sub groups such as Fremont Style Anasazi Style or Vernal Style when in fact there is no style to speak of. They are the same, differing only in subject and in SOME cases, minor tribal differences (Application) due to perspective or manner of speech.


We will discuss what is known as Mystery Glyphs, The Lenape Wallum Olum, the Ojibwa Hieroglyphs and Egyptian and how all of them, including the Native American Petroglyphs, have a common root.

Understanding the terms used.

Symbol

The symbol was created from the motions of Hand Sign language but is not limited to; it may also be symbolic of some thing as seen by the eye in its natural appearance or its natural motion. An example might be the symbol for "wooden object" which is identical to the symbol of our alphabet the letter Y. A symbol is to express some concept, action or idea. A hieroglyph such as a Mystery Glyph, Ojibwa Glyph or an Egyptian Glyph is NOT a symbol, it IS a combination of symbols put together to create a sentence or extended meaning of the symbols themselves, NOT a phonic sound. These symbols are of ancient origin and are most likely the very root of all Hieroglyphs. When in history, was the first time that a hand sign language was NEEDED other than the possibility that some where in history we had an overwhelming amount of people in a society that were deaf?  In ancient times, these people were generally shunned and no special consideration was given. They didn't have Hillary and Obama to look out for them. 

The first time a hand sign language would have come into NEED is shortly after the Confusion of Tongues, something had to be done to re-establish some form of communication and this is the very place that I believe this originated. Shortly afterwards, a hand sign language was created. This was the first impulse when two people came together who did not understand each other. This would be your response, unless you are like many who just try speaking slower as if this might help. I believe the hand signing was converted to a system of symbols modeled after the already in place hand sign language. At this time it would make perfect sense to add several other independent symbols to convey any other concept, action or idea which hand sign language could not convey. For this very reason our modern day sign language for the deaf is accompanied with a sign language for the alphabet in order to spell things which cannot be relayed by sign language alone.

Near everyone is familiar with the fact that no matter what tribe was encountered when the Europeans arrived on this continent, was that most of the Indigenous regardless of where they were found, could understand each other through signing even if one was from the southern most regions of South America, and the other from the great lakes. Now, could they all understand the glyphs? Maybe.

The Hieroglyph or Character

To be continued.... in PART 3

PART THREE

No comments:

Post a Comment

Thank you for your comment!