Three Kings Panel Interpretive
Near the Mouth of a
well known canyon, located near Vernal Utah, is a very unusual
Pictograph/Petroglyph Panel. Both terms are used because it is both pecked and
painted.
There has been much
speculation as to what this panel represents and as a result has received the
name, The 3 Kings Panel. So from this point on I will call it as such. If it
were understood in earlier times, it would have been more properly named The
King Panel as this is what I believe it to represent: A King or better yet a Patriarch,
the other figures on this panel being this King’s Priests, Holy men, Medicine
men and/or servants.
Fig 1
In the following
pages, it is my intension to apply the principles of LaVan Martineau to try to
determine what this panel truly means or at least shed some light leading to an
eventual understanding of it.
Usually I have a
subject in mind to begin with but because I have several possible subjects in
mind I will keep those to myself only hinting from time to time, NOT for the
purpose of keeping it from you, but for the purpose of keeping my mind unbiased
as I study this panel and in the process of Breaking Down the panel while
remaining open minded.
To begin with, I will
start with what appears to me to be the most important figures in this panel,
those being the King, the Shield, and the Phallic Symbol.
Although I would
usually start with what appears to be the most important part of the figure, I
am undecided as to whether it is The Phallic like glyph, the Shield like glyph
or the King. As I have said in previous papers, I do not want to build this upon
first Impressions, yet it does serve its purpose in many panels, but should
remain in the back of the mind until a breakdown can be done, this is for the
purpose of keeping the possibilities open and not drawing conclusions upon
those first impressions that can often be wrong. For example the use of the
terms Shield, Phallic and King are only first impressions and should not be
held as deciding factors until the evidence weighs in favor of such.
In a book called The
Lenape and Their Legends by Daniel G Brinton, I quote from page 56 pertaining to Picture Writings which I
believe he borrowed from Heckewelder’s History of the Indian Nations Chapter 10
1810.
“Pictographic
Signs.”
“The picture
writing of the Delawares has been quite fully described by Zeisberger, Loskiel
and Heckewelder. It was scratched upon stone (Loskiel), or more frequently cut
in or painted upon the bark of trees or pieces of wood. The colors were chiefly
black and red. The system was highly conventionalized, so that it could readily
be understood by all their tribes, and also by others with whom they came in
contact, the Shawnees, Wyandots, Chipeways, etc.”
“The subjects had
reference not merely to matter of present interest, but to the former history
of their nation, and were directed to the preservation of the memory of famous
men, and to the recollection of events and actions of note”
This is something I
believe also and it was nice to find something in history past, that verified
or gave credence to what I had supposed and what LaVan had always believed and
taught.
Therefore I have
decided to start with the King figure
first in order to learn more of this King in hopes of discovering possibilities
of the items he holds which is also
a first impression, in that he may not be Holding
anything at all, however the items he is no doubt holding, and clearly have
to do with him, will help us to understand who he is…
The King
Looking at the over
all picture of the King, the first thing I see is a symbol combination I am very familiar with, that being the symbol
combination for Death or Burial Place, which tells me this man is dead or
represents the dead and there is located somewhere nearby a burial place or
tomb if you will. (SEE example of symbol combination in figure 4 below)
Fig 3 Fig
4
Although it is just
the start, you begin to see how we come to know more about the man in order
that we can learn about the seemingly important figures he holds and eventually
the figures around him and the final goal, the interpretation of the panel in
its entirety of which I would not hold your breath.
In Fig 5 notice the
dots which seem to take the same shape as the main body with the exception of
the top portion. The dots being in the position of Stop or Waiting also and
being in Sequence insinuates many times or several occurrences. The fact that
these are located inside of the main body symbol combination of Burial Place it
would seem it has to do with what is inside or within the concept itself.
Fig 5
These dots seem to
be attached to the dots at the bottom which is also a symbol combination but
takes upon a different meaning, that being a Designated Place (manmade) , trail
or path, (lines), lying down or standing, depending upon your view, (Death or Living)
and sequence are all possibilities with the difference being that the dots
above take upon the meaning of Stopped or waiting or some derivative giving me
the idea that it may be referring to individuals who have passed on, and the
dots below taking upon the symbols of path of life (Line) lying down, (Death)
dots, (Many) in a place made by the hands of man and Pertaining to all that is
within the body of the King being the symbol combination in Fig 4. This also
being place or situated upon is front side or chest, bringing in the meaning of
“Authority.”
At this time I
would like to point out the sequence of dots which form the Kings Apron. First
off, without the Apron the King would in fact be Naked or without Knowledge.
The presence of this Apron tells me that these people had knowledge of what it
represented and we could assume they had knowledge of certain principles
pertaining to Adam. At this point, we can assume that we are dealing with what
might be a righteous branch of the people with a knowledge of Adam, but whom?
It is interesting to note that these people or at least the one who created
this panel had knowledge of the Apron, its origin and its meaning and with this
had to have knowledge of their first Father and Mother and he who deceives all.
We can also assume
by the fact that the Apron is present and in view, we know that the Apron is
not worn beneath but outside of the Garment or Priestly Robes. The Apron, being
present, may very well have been the best way to show that the Priesthood is
held by this man without the cumbersome problem of pecking the Garment or
Priestly Robes and to somehow do this without affecting the meaning of the
panel. Again, the presence of the Apron
was perfectly used in this Glyph.
The number of dots
is another subject that we may come back to. These numbers of dots or other
symbols in sequence may pertain to any number of things such as the number of
people, tribes, days, months, years, generations or possibly some mathematical
equation which is embedded into the entire panel, the possibilities are great
and for these reasons, I will move on to the next grouping of symbols.
The next symbol
combination we will look at is what appears to be a collar or necklace of a
sort around the neck of the King and resting on his chest. Upon close
examination, certain symbols appear again which seem to relay a similar concept
already spoken of. In Fig 6, you will see that the same ideas seem to be
present as already covered in other combinations, with the exception of one
additional symbol being that of Bowl or Valley.
Fig 6
This additional
symbol incorporated with the symbol sequence
(valley repeated), burial place, sequence again (Burial Place repeated) and
being in the position of authority by
virtue of the collar or one who has authority
over (Positioning of the collar), would give us something along the lines
of: this man, having had authority over these many burial places in many
valleys, was the keeper of the record of these people. Was he a Patriarch or considered
Prophet perhaps? These records were being located in his grave or the burial
place of the many that had this authority (given that all of the previously
discussed symbols are within the main body and/or the symbol representing this
man or several men’s burial place). Based on the number of repeated glyphs in
the collar, it is possible that he was the 22nd Patriarch or some similar
concept.
Now there is one
more thing to add to all of this and that is the color of red which was only
added to certain parts of this panel. In some of these pictures you will notice
the red has been digitally enhanced for study. Red has the meaning of the
Spirit or Not of the Living or Flesh, (A Spiritual concept). There are many
possibilities and derivatives of this meaning depending on the subject.
However, in this case it is a clear sign to me of this man’s Authority in that
he held it and all that it indicates in this panel that Priesthood was a key
factor and is the reason that the red only appears in certain parts of the
panel. This would add a little bit more to the meaning. It is possible that
this man is the man who kept the record of the genealogy of these people, for
religious purposes and perhaps for many generations in many valleys,
responsible or he who arranges by lot. Also, notice all other areas in which
the red exists as if the spiritual authority was in what he did To Negate or Stand
in the way of, (Positioning of Arms) and was his intent or in his mind, (head)
and over the symbol combinations appearing as a Shield and the phallic symbol.
At this point, the
identity of this man seems to be becoming clearer, yet at this point it could
be just about any religious leader or appointed man for the purpose of keeping
these records.
Let’s move on to
the head and neck of this King, but first let me touch on some unfinished
analysis pertaining to the lower portion of this man and the long thick line
that is seemingly connecting the collar to the lower dots at the waist, From
Here Go or in this case from the collar to the apron. I have always told those
whom I teach that there is no mistake in these writings, the extremity or any
part of a panel as all have meaning.
Fig 7
Pertaining to the
thick line in the body area, it means trail, path or life, and since it is
enlarged, it takes on the meaning of full, bad, or well established. Note that
it connects the presumed dead or places of burial located at the waist area or
Apron of the king, with the symbol combination (collar) representing authority.
To me, this would indicate that this authority,
practice, or process has been around for a long time and is well established.
The King, holding this authority, is depicted with a line symbol which touches the
bottom of the bowl or valley symbol in Fig. 7. This connection indicates “From”. The line proceeds downward from
the connection towards the dots, but
does not touch the dots; this
indicates “To”. (It is interesting
to me how it also goes down as in authority over extending down to,
and the symbol indicating “Beneath” (as
it is “Beneath” the “Valley” symbol in Fig. 7 which is also present in the
overall combination of symbols discussed.)
Fig 8
Fig 8a
Now, moving to the
head and neck of the King, you will notice the two large dots on either side of
the neck, this with a line passing
through or in between indicates Canyon and
with the face shaped as the symbol for Valley
or Bowl with an incorporation of
Designated Place and solid pecked I
would perceive this as an inhabited valley or place such as a city or village
IN a Canyon or beyond. Also up farther on the sides of the face are two more
dots which may mean to include the whole canyon, or maybe just to clarify that
this is well into the canyon where it narrows. Why the dot on the left touches
the face has eluded me for a time. At this time I would say with respect to the
canyon and where this point would represent something, it has to be something
(according to legend) of great significance. Also, the thing that draws my
attention is the single dot located at what would be the Kings forehead as if
this is a focal point and / or in the position of “In front of”, or it may have indicated end.
A single dot simply means Here,
Something or One and being
positioned above the valley or before would mean at the head of the valley, but what is at the head? Strangely
enough, viewing this as a map, this dot would be at the suspected place which
will be mentioned later on. Note that it is located at Center of the Forehead,
just below and touching his crown, and with the Red touching it, (hopefully
more on this later as it comes). Just below this dot and within the face and
properly positioned is the symbol for “Look
Closely”. (Two small Dots) Being placed at the head of the valley with the
dot above it (Pertaining to), it
would be my guess that it is trying to convey the message, “Look Closely at the head of the Valley at
this place.” But what is there? There will be more on this later.
Now moving up a
bit, we see what appears to be a crown on top of the Kings Head. Why not? It is
rightfully so as its appearance is not far from the truth. Notice the symbol
combination in the crown itself. We have Designated
place of the Spirit due to the red paint, as well as some concept in the
physical (Pecked). The crown is also arched forming the symbol for hidden,
protection or covering with the red adding a spiritual meaning. It would seem
that a spiritual covering is also implied. Notice that the red extends all
around the Crown and around the head encompassing the Valley/Canyon (Face area), and then down both arms including the
Collar/Necklace, and from the arms
to and through the perimeter of the Shield and to the set of dots in the top of
the shield then continuing from within the
shield from the dots to the phallic
like symbol. Although I have implied a direction in which this Power or spirit flows, it is quite
possible that it flows from the
opposite direction that I have implied. By the time this paper is finished, I
hope to have that resolved.
Now looking at the
crown and within the symbol for Designated
Place, we see what appear to be 11 vertical lines, the number may be 12 but
this will not be known for certain until closer examination of the panel is
possible. The lines are the symbol for Path or trail and often represent a man.
I would take this as Spiritual authority over a designated place involving 11
others including the one with authority over
the other 11 making 12, but who is this referring to? I think you’re
beginning to see for yourself.
Another possibility
is that the lines within the crown may be a representation of movement away
from the head of the King showing that within this spiritually designated place
that he is a visionary man or possibly a considered Prophet.
Note the broadened
area on either side of the head. Because I do not recognize this symbol other
than that it is broadened meaning bad, full, difficult or something
there to inhibit the way. I will not at this time venture as to its meaning.
The Shield
Next, we are going
to move over to the Shield Figure. Again, as a reminder the red in these
pictures has been enhanced for better viewing. At this point, I will tell you
that I do have my own ideas as to what this is all about, however, so far I
have only hinted as to what my thoughts are and will continue to do so until
the analysis of the three main figures, the King, Shield, and phallic like
symbol is complete and then will I share my ideas. As a reminder, note that all
of what is red meaning of the spirit is also pecked. This implies that it is
also of the flesh or physical world. Nowhere in the panel have I found any part
which is only of Spirit, or not of this world.
Figure 9 (Enhanced)
Now looking at Fig
9 we will start with the arm[s] of the King. Notice the arms of this king are
in the position of Barring and since each arm extends to another figure it
would be reasonable that the meaning of this may be that one purpose of this
king is to stand In the Stead Of or stands as an Alternative Prevention or obstruct
one from the other, meaning preventing the figure on the right of this king or
its meaning or purpose From the shield figure and/or it’s meaning and/or
purpose. The use of the word From in this case would be FROM the shield or its
meaning/purpose TO the Slave looking figure, or better put, The King stands
between the two in physical and spiritual concept preventing the two from
coming together. The arm seems to be the conduit that leads from the physical
and spiritual authority shown or displayed in the Collar and Crown. This is
done using the symbol “Nothing there”, “Good”, or “Nothing to inhibit the way” this
is an extension of the symbol Trail, Path, or Life. Also notice the arm as well
as the double lined pole, passes through a spiral, this symbol represent Ascending
Going up or my choice in this panel Progression as a possible derivative of the
base meaning word. Also it is positioned above the Shield figure which means “Having
to do with”. The reason it represents Ascending is that the line which forms
the spiral begins from the outside and goes inward in a clockwise direction or
visa versa. If it were counter clockwise it would mean descend.
These parts of the
panel pass through the spiral to show that this Movement or Process taking
place is a Physical Motion Advancing, Moving Up, or for the purpose of Earthly
Progression. I say physical progression due to the spiral is not red and only
pecked yet I would say that this Progression does bring about Spiritual
Progression. Another possible meaning would be “Taken up”.
The symbols that I
find in this shield figure are shown in the following Figure 10.
Figure 10
Starting at the
point where the arm Enters and Goes Beyond the outer perimeter of the
circle representing Holding I
believe that this is done to convey the idea that the authority does not just encompass but is within or the absence
of the hand shows that this is the kings purpose as his hand is in it. The
symbol for Holding which is the
circle and has within it several, sequence,
places, Designated, 3 of which have several Sequence objects (Dots) which could be a representation of Days,
Months, Generations, People, etc. I
can’t help but notice the Spiritual division in the 3 groups indicated by the
broadened thickness of the red lines as if to portray separate from one another
or they are under different levels of authority or spiritual power and/or
different dispensations of time perhaps.
I am reminded of 3 degrees of glory, in this case within one realm, yet they are all
held by the spiritual authority and some physical thing. I do not know what
more I can add to this other than the banner-like things located at the bottom
of the shield. These banners being 5 in number take upon the shape of Designated Place and also have sequence within them indicated by the
many dots. The meaning Beneath is
also present and pertains to all 5, yet these 5 places, being outside of the
main body of Spiritual and Physical holding, are included with the spiritual
authority encompassing them, yet they are beneath the others in some way or
outside of or possibly not part of the original or whole. Judging by the size
of the Circle in this panel, it would have to be some Great place or vast area encompassing many designated
places that are most likely of man and the spirit rests upon it and within it.
Throughout this
analysis, I can’t help but think of the House of Israel or the 12 Tribes. Much
of what is herein seems to tie into the Authority given to Joseph over the 11
other tribes yet many of the other places
if you will and the numbers don’t seem to fit. If this can be resolved it
would be my guess that the King represented herein is not any one man but
symbolic of many whom had the keys to the Patriarchal Order or Priesthood with authority over the people. There will
be more on this subject when it comes (if it comes).
The Phallic Symbol
Before moving on to
the phallic symbol or should I say on the way to it, notice the stick- like
symbol which extends from the shield figure to the phallic symbol. This symbol
is the symbol for Close or Near, but also notice that it too is
doubled bringing in the meaning Good or
nothing there to inhibit the way.
This, in addition to other previously mentioned symbol combinations, implies
movement both physical (Pecked) and spiritual (due to the red paint). This
path, if you will, leads to the Phallic Symbol or from the shield. The phallic
symbol is historically a representation of the Power of man, yet it is actually Power to Create Life or God Lineage which is what makes the Father,
God. This also would give more credence to the topics previously discussed and
seems to support the subject which seems to be unfolding.
Fig 11
Starting with the
overall glyph and pertaining to the shape
of the outer perimeter, it consists of three symbols and forms a
combination. The symbols forming the perimeter are Designated Place (area, or object) Beneath or under, in this case deep is implied, and Mound, mountain or hill. The
only thing that I get from this is a mountain with a vault or tomb beneath it.
This symbol in its entirety is encompassed in the red paint as if to portray spiritual or a Holy Place. I can’t help but think at this point of Mountain of the Lord referred to often
within the scriptures. It is said that the Mountain of the Lord is the Temple of the Lord. As to this idea,
although it seems fitting, I may have to for now disagree with it, at least to
a degree, simply because I do not see any symbol referring to Temple, yet Designated Place could have been used by the author knowing that
with the red surrounding it, that the meaning would be recognized. At the top
of this phallic glyph and within it you see Sequence (five dots) and they are forming the symbol for Hidden or covered. Just below that, we find the symbol for Communication or writing.
Why would the symbol for sequence be incorporated into the hidden symbol as in hidden
many times? The hidden symbol, when used, is placed above that which it hides
and in this case it seems to be communication,
talk or writing. It seems that they were not hidden in just a single event,
but at many times. The lines extending from the symbol for communication has eluded me until this moment and of the lines
extending horizontally I will add that this means holding Firm or pertaining to, and because it is attached to the
outer perimeter of the Phallic symbol, I would say that these writings are
pertaining to God and His purposes. Think about that. The lines extending down
from the two sides of the communication symbol, being in the form of the symbol
stopped or waiting, implies that these writings
pertain to the dead, those who are stopped or waiting. After all this, I
can’t help but think of Cumorah, but this is not the place of Cumorah.
The Slave?
Figure 12
The reason I call
this figure The Slave is not why
some of you may think. Although I think it is more than this (which I will come
back to later on), I have to look at the possible subject of this figure to confirm
or put to rest the idea.
Some have pointed
out that he seems to be tethered and that is why this is a slave. This may be
so, but I do not know this for sure and won’t until a closer examination is
done.
At this time, I
cannot explain what the two symbols under the arms are. Being square in shape,
it must have something to do with a designated place of some sort, we will see.
Some have also said that it is because he is pecked out so as to leave the dark
area, implying a Black Man, therefore
a slave which was common prior to the 1900's and most certainly at the time this
panel was written, yet the idea was not limited to the Black Man, so I
personally disagree.
However, the main
reason I call this figure The Slave (which is more of a question) is due to the
thick carved border around the figure indicating a strong hold on this figure.
The symbols for Confined or Holding which can only be understood as
slave (unless this figure represents Satan himself, which I will come back to).
Was the dark color of the figure intended? It is possible and perhaps even
probable. Another thing which leads me to believe this is due to the left hand
of the King and how it extends to the right hand of the slave. Keep in mind
that the King’s hand is outlined in red implying the spirit or power. His hand
does not touch the slave as if it were intended by the thick line to prevent
it. As if the slave were not entitled to that power or to convey that he stands
between this figure and the others of the right hand.
Another thing I
have noticed is the Slave’s arms being in the position of the symbol
combination of “not turning aside”. In other words, he was not allowed to go as
he pleased and was being held back from advancement, movement forward or
progression or it could mean that he did not turn from his purpose, or he was
focused or determined.
This may shed some
light on the previously mentioned symbol for Designated Place that is found
under the arms possibly meaning confinement, as in ownership, or not turning aside
from a designated purpose or place. This may be the reason that the author of
this glyph located the Designated Place symbol where he did. I can’t think of a
better place or way to convey this message. Notice the feet are just hanging
with no direction or action implied at all, confined or with the thick line
surrounding the figure (kept at bay). In addition to all of the above, the
slave figure is pecked smaller than the King figure in order to show Inferiority
along with its lower positioning in the entire panel. If this figure is not a
slave, then what and who is he? Another possibility exists but that will come
shortly. For now, notice the two figures even lower than him and to his left,
it would seem that these are others who are servants of his which brings me
even more to the possibility of Satan himself
Numbers
Below in Fig 13 is
included a picture showing the numbers that are present in this panel but
limited to The King, Shield, and Phallic symbol. What these numbers represent,
I do not know but I do not believe that they mean nothing. The numbers are not
random or by accident. They mean something with 68 being the number which the
segments have in common.
Fig 13
Slave or Satan?
I have already
given an analysis of the possibilities of this figure being a slave, and due to
the lack of a subject, a determination is difficult, so the only way to try to
understand what this all means is by applying some other sub subject such as
Slave or Satan as it applies to the dark figure. Now if this figure is in fact
a representation of O'L Lucy himself, then let’s see how well it fits according
to the symbols used by the author.
All of what we have
already discussed with respect to this figure would fit nicely as well if it
were representing a slave or Satan if he were bound for some reason. The
scriptures are full of references to Satan being bound, one in particular in
which he would be bound for a thousand years. Other scriptures refer to him
being bound from tempting certain people due to righteousness. Also it would
seem that the reasons for choosing this dark background for this figure would
be more fitting toward Satan rather than a slave for reasons already touched
on, but slavery involved all peoples of all colors and the black man being tied
to slavery is actually a modern view, as for it representing a servant, this
view would be as ancient as man.
The main reason
that really brought this other idea to me as to the possibilities of this
figure being Satan is the location and likeness of the Apron (Dots at the
Waist) which shows on the main figure and others also and the dark figure
himself. The difference being that only the Dark figure shows no skirt if you
will. In my mind, this represents Naked, a poor covering or Imitation. I am
reminded of these words written by R.D. Shortridge in his essay titled Meaning
of the Apron.
"After
partaking of the Tree of Knowledge, Adam notices that Lucifer wears an apron
and asks him "What is that apron you have on?" Lucifer replies with
"It is an emblem of my power and Priesthoods." Of course, Lucifer has
no `power or priesthoods', but he likes to think so."…… ……."The apron
does a poor job of covering Adam's nakedness in a literal sense. This is
symbolic of it failing to cover nakedness" (lack of knowledge)
The Apron that
Satan wears would be much like the Aprons which Adam and Eve wore that failed
to cover very well as Satan’s apron would fail to cover his nakedness. Without
going any further into this concept, it would seem to me that a slave or
servant would not have been represented as wearing an Apron by the author given
that he did recognize this concept with the other figures.
If this is a
representation of Satan, then he is bound, indicated by all that we have
already covered in the section Titled Slave. Note that if this analysis is
true, it would also show the knowledge of the people who were there in the Dry
Fork area so long ago, had knowledge of the creation as told from the Christian
view point. They had knowledge of other things as well.
Of all the
possibilities as to who the main entity may represent, my thoughts are drawing
nearer to one or two in particular.
Conclusion of the Three Kings
There are many
things not covered or not mentioned in this analysis of the 3 Kings Panel
however I will try to cover some of it now in this conclusion. What I gather
from this Panel overall is that the individual portrayed here is either one
specific man who is a High Priest for the reasons indicated in this chapter,
Patriarch and/or Prophet of these people or it is representative of the many
who have been. These people, in my mind, could possibly be the descendants of
Hagoth and / or others who may have migrated to this place in times past.
Whoever pecked this panel could not have been in a fallen state of iniquity,
because if so, they would not have known to add many of the concepts in this
panel, however, the Patriarch or Prophet would have… It would seem that this
panel although ancient, is not extremely ancient, so what I am saying is that
it could have been done as far back as 600 AD but I would lean to a time of
about 800 - 900 years ago.
Whoever this man
is, that is being portrayed, traveled a lot. It may portray a title or a
position rather than a single man. He would have appeared to have had a
Priesthood authority over the many in that he was responsible for the genealogy
record and history of this people. The reasons that I say he traveled a lot is
that the positioning of his feet being combined with the direction in both ways
to designated places and the enlarged calves and knobby knees shows me that
this is so. I am also under the impression that this panel was done by a man
who was quite knowledgeable and that it was done at a time of a conclusion of
his people or nearing their end of existence as a people. There are quite a few
men that this description could fit. It seems that this
man may have been over that particular dispensation of time. Two possibilities
come to mind; if not the father of that then certainly one with great
Priesthood authority in that his power was directly from God and it would seem
this man could have been considered a Prophet or even a Seer.
If you look at the
Phallus Symbol, this cannot be the representation of a man, it is how- ever,
among other things, a representation of God the Father and the power which emanates
FROM it OR he who holds that authority over man being Jesus, the Christ. I
would lean towards the latter. This power is apparently close to us, meaning
while standing at the panel (Symbol from Phallus to Shield) in that the shield figure
is in my mind, a representation of the world and all that has purpose and
importance in it, with that being the Twelve Tribes of Israel. I am reminded of
Matthew 15:24:24 But he answered and said, I am not sent but unto the lost
sheep of the house of Israel.
Now this would of
course include all those who are adopted into the House of Israel. This shield
figure is encompassed with the spiritual energy which likely comes from the Phallus Symbol and rightly so. From this Phallus Symbol to this man or should I say
from God the Father or Jesus Christ to the King Figure, The two together are
for the purpose of the progression of the people of the world and more
specifically the 12 Tribes with the power of God or Priesthood.
I would have no
doubt that the dark figure is indeed Satan himself and that the figure to his
left is his earthly follower. If we were to attempt to break that figure down
into the symbol combinations we would find indications of it. The figure to the
far right of the panel (to the right of the Satan figure) shows an indication
for this man having some sort of Spirit with him also (Red around the Face).
The figures on the
left of the Phallus are men of power over the people and appear to be men of
God by the indications already discussed such as the Apron and the fact that
they are not naked as is the case with the dark figure and the figure on his
left.
I can only come to
a few conclusions as to who this figure we call a King could be and those two
figures are considered from the Mormon perspective, could be none other than Mormon or his son Moroni. The question is, if one
of the two is he who authored this panel, why is it here at this location? What
place is it that has to do with Writings and Genealogy of the people that is
hidden in some hill in a vault of sort?
Considering other
content in this book, would this fit the possible location of where King Limhi
sent the people in search of Zarahemla and they became lost? What is it that
would be so important at this place wherein it was felt necessary to engrave
this panel with at least twofold meaning embedded into it, one being the
overall description just given in part as well as geographical information
pertaining to some hidden place nearby that has not yet been covered in this
report? The possibilities are very thought-provoking to say the least. I have considered the possible occupation of the Roman Colonies, Madoc and even King Arthur.... But I find nothing to validate the possibility.
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