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Wednesday, October 28, 2015

Remastering Pictographs at Buckhorn Draw

Sometimes we find pictographs that we know are incredible, but because of time, intentional defacing or other, we just can't seem to make out the image. I have been doing this for a long time, I have learned ways to pull the image out so as to recreate the image for study. However one such site in Buckhorn Draw has long stumped me, for what ever reasons I just couldn't see what needed to be, and this Image is the following. 


The near finished but unverified illusive image.

Thanks to everything I have learned, tested or tried over the years I think I am close... and Thanks to a recent D Stretch donation by Jerry Grimsley... and my recent download of DStretch, I think we're about there.... Here is the process using just a cell phone camera, computer and program skills... This panel is from Buckhorn Draw. All I had at the time was a phone camera...


The old familiar panel of Buckhorn Draw, but have you ever actually seen it?

Some years ago a disgruntled employee decided to through battery acid all over this panel if I am not mistaken, this being the main target... severe bleeding was the result and as a result, it is very difficult to get a good picture for study, or to even make it out in person.


First I breath a little life into the photo with a small amount of hue and saturation... but not to much, and some color reduction, blue in this case. Then while editing I convert it back and forth to help me see things better... sometimes it helps and sometimes not... this is all before DStretch ever came about... and it is a remarkable tool but I am just learning to use it... 


Then the pain staking process begins in eliminating the areas of bleeding that are clear... The dark images on the left were brought over from a another previous image. Look at the center image and you can see the results of cleaning or eliminating the excessive red or bleeding from obvious areas..


Until DStretch, defining the boundaries of the images is something that could only be done at the site and careful observation and sketching. We will likely never know if there was a pattern of sort existing in the body of the images... By the way, the main figures are about 6 foot tall...


Slow but sure the process continues... An Image this bad use to take me months to do, with several trips to the site.

Finally we near the end, although this image is not yet complete, I hope to find verification in some old photos I may receive very soon. Otherwise this image cannot be verified. Although I am very confident of MOST of the results, we cannot yet be sure.

Now thanks to DStretch we can at least eliminate several return trips, I still don't understand exactly how it works but for the most part it helps to see what cannot be seen freely.


DStretch Image donated by Jerry Grimsley (Thank You!)


One of my first DStretch Images

Tuesday, October 27, 2015

Bandidos Cache sites in Mexico

I have been very fortunate in my research in Mexico, especially concerning the Banditios of 1600 to 1800. The problem I have is ... getting there... Some years after recieving certain key documents of thee largest cache in the state of Durango, I recieved other documents I had never known of... although some of these later documents are well known, the search by many still continues to this day. Recently I have resolved another site, the story of this site is well known among my treasure hunting friends of Mexico, the key to unraveling the mystery of where the treasure lies, was in the unique document held by only a few, and the ability to find the place names in the documents.

Now I have a question... I know I am not going to make it down to Mexico, even though the Banditos Captains who wrote their own story, are very explicit in their instructions, unlike the mysterious Spanish cache sites in the North. Because of their perfect instructions, (If you know the place names and where they are) we are able to identify EXACTLY the location of said documents.

My question is... In an effort to make something happen... anything... and assuming I am correct in my assessment, If I offered to give the GPS coordinates to this particular story, and all the details of The Captain Iberio Cache, how many of you would want the coordinates for the purpose of going after this estimated 100 Million dollar cache?

For my Mexico freinds I include the text of the document...
(The Text of the document is original, the image is not)


He sido muy afortunado con mi investigación en México, sobre todo en relación con la de Bandidos de 1600 a 1800. El problema que tengo es... llegar ahí,  transportarme al sitio ... Algunos años después de recibir ciertos documentos clave de 3 de los mayores sitios de tesoros en el estado de Durango, que recibí de otros documentos de los cuales no tenia noticia... aunque algunos de estos documentos posteriores son bien conocidos, la búsqueda por muchos aún continúa hasta nuestros días. Recientemente he resuelto otro sitio, la historia de este lugar es muy conocida entre mis amigos buscatesoros de México, la clave para desentrañar el misterio de dónde está el tesoro, se encontraba en el documento único en poder de unos pocos, y la capacidad de encontrar los nombres de los lugares en los documentos.

Ahora tengo una pregunta ... Sé que no voy a ir a México, a pesar de que los Bandidos capitanes que escribieron su propia historia, son muy explícitos en sus instrucciones, a diferencia de los sitios de tesoros españoles misteriosos en el Norte. Debido a que las instrucciones eran perfectas, (Si se conocen los nombres de lugares y dónde están) somos capaces de identificar con exactitud la ubicación descrita en dichos documentos.

Mi pregunta es ... En un esfuerzo por hacer que algo suceda ... algo positivo ... y suponiendo que estoy en lo correcto en mi evaluación, Si me ofreciera a dar las coordenadas GPS de esta historia en particular, y todos los detalles del Tesoro del Capitán Iberio, ¿Cuántos de ustedes querrían las coordenadas para  ir a buscar este Tesoro con valor estimado de 100 millones de dólares?

Para mis amigos México incluyo el texto del documento...

(El texto del documento es original, la imagen no lo es)

English Translation Of the document...

Monday, October 26, 2015

Buck Horn Draw, Digital Remaster # 2

A few more images from Buck Horn Draw


After


Before


After


Before Remastering
Size campare, My little Man Karson is almost 5 foot tall
the glyph is about 2 1/2' high

Buck Horn Draw, Digital Remaster

Here are some long overdue digital remastered images from Buck Horn Draw.



After Digital Remastering


Before

A few more images from Buck Horn Draw


After


Before


After


Before Remastering
Size campare, My little Man Karson is almost 5 foot tall
the glyph is about 2 1/2' high

Sunday, October 11, 2015

Pictographs of Idaho

A very unique and virtually unknown site nestled away somewhere in Idaho, I hope to get to this site sometime in the near future for study. Photos Courtesy of .... Cynthia...

If anyone viewing these photos is familiar with this site, please DO NOT publically disclose the location.

Thank You















Saturday, October 3, 2015

Captain Iberio Cache

Here is some irony for you... struggling every day to put food on the table, and at the same time...
Knowing, EXACTLY where this is.... Not to mention it will nearly drive you insane.... so close...


English translation...

I, Captain Iberio, captain of the bandits: that I lead from the year 1802 to 1829, I say that when you arrive at “cerro  _________”, look for a door,  heading towards the hacienda el Ojo, and withdrawn from the hill, 415 steps, and has an entrance with a slide on (or in) the hill, this hill is a point that is very well known by all, [or use to be] well, this path is the one I had to enter with the herds that I took, on this “camino de ______”  was one of the ones I looked after, and the road that passes through the large door, that ran wide and “despedrado” ?? that I also looked after, and passing by the “corral de la Palamita” that has the door towards “porfias” that is now there, we buried 300 Spanish soldiers, as well as the carriers.  …………….

There is a “planadita”, well, you stand where the monument is, facing north, and count 400 steps always facing north, and where the 400 steps take you, there is the corral, it’s in the middle of the plateaus, the pen’s gate is facing north, the ascent to the door is kind of like a slide and to reach the door, it’s high.  Once inside, find on the left-hand side a cave that is covered with red stone, uncover it and there you’ll find a grand treasure, that won’t run out for your entire life because I warn you that there are pure bars and sheets that are there, they are silver, plus 35 cases with gold, but I warn you that the money that is buried on the left side, and the gold is not sealed, and there is a holy Christ on top of where the sheets are entrenched and when removing this treasure, say a mass in my name.   When we left the “brena” heading southbound, the fellow Castrellon and I went back to our homes, he was from Aguascalientes and I from San Luis Potosi.  When I arrived to my home, I saw that my family had died and the following year I remarried and 2 years later I became ill.  Knowing I would never leave my bed, I sent him to talk to my friend Femin Zaragoza to give him the derrotero along with the map.
Taken from the original the 17th of September of the year 1839

Friday, September 18, 2015

Unusual discovery of artifacts.

Why is it many discoveries go unreported? The bottom line is, they would be rendered as a hoax because they do not conform with the curiculum or the Gospel of Archaeology, Manifest Destiny.



Unusual discovery...

Many years ago a friend of mine out metal detecting came across some unique items of Spanish origins. These items were scattered in such a way that it appeared to have been the site of a massacre. What made this site so unique is that it was in the regions of the Northern Mountains of Utah where many believe the Spanish never were. Most don’t believe the Spanish were ever in the Uinta Mountains let alone the Northern Mountains.

Several years later, another friend was a bit further North into the Mountains of Utah doing some metal detecting when suddenly his machine sounded off giving the signal of trash. But it seemed such an odd place for trash, so he decided to dig. What he unearthed took him by surprise not only by what was found but the conditions in which it was found…

Now I am a firm believer in many things that most would think as odd, but that belief is not by any means as a result of casual careless research… my research of many years shows me clearly that among the many suspect expeditions by various cultures into this choice land and especially here into Utah, it would seem that long ago a people was here who can only be of Hindu origins or people from India, I will spare you the details at this time. Needless to say the items discovered and in question were clearly of Buddhist or Hindu origins, or as some would say Tibetan, because, the items were religious items and for the most part were Thogchags or Thokcha. A Thokcha was a smaller religious item which was designed to be worn around the neck and or used for religious purposes.

The puzzling thing about the items is in that according to several experts in the field, these items origins are in BC times, however that is not to say that some of the items are actually still manufactured to this day using the same ancient molds or techniques. Yet other items have not been manufactured for hundreds of years and other items for over 2000 years. All of the items were in manufacture as far back as 100 BC. The circumstances in which they were found I will withhold for several reasons. Keep in mind, many of the items can be viewed as of Tibetan Buddhist or India’s Hindu religion, however some of the items were only used in the Hindu religion such as the obvious rendition of Mahakala with a possibility of Vishnu (The Multiple armed Hindu God), which if I am not mistaken is not a part of the Tibetan Buddhist and this may not be accurate, yet some Hindus regarded Buddha as a reincarnation of Vishnu.

Here are some of the items found…



Toli Melong or Shamans Mirror this item of antiquity is the most difficult item in the small hoard, research and communication with several experts in the field and even a couple of Buddhist Monks, told me not only what it is, but of it’s ancient origins. However this exact piece is still manufactured today of which dating them becomes difficult. I will say however that compared to several examples believed to be at least 200 years, based on the wear, this piece must be much older at the time it was abandoned.







Several coins minted in 185 to 170 BC  Antimachus I and showing significant wear and square coins minted by Peukolaos in 90 BC. See Internet Photos Above.








The specific purpose of the 4 above items is unknown but these items are called Thogchag or Thokcha. They are described as items to be worn around the neck and there are many types, most have a specific religious purpose and according to wise old wiki, they are said to be usually made with a high content of Iron, although some of these items are likely to have iron content, we find a majority of them as being Brass, Silver and Gold…




Although considered as a Thokcha in general it is more specifically called a Vajra.
Vajra is a Sanskrit word meaning both thunderbolt and diamond. Additionally, it is a weapon which is used as a ritual object to symbolize both the properties of a diamond (indestructibility) and a thunderbolt (irresistible force). Use of the Vajra is recorded in the Vedas some of the most ancient texts from as early as 1700 BC.





Phurba Kila or (Kilaya)  traditionally associated with People of India, Tibetan Buddhism.





Thogchag and or Mani Stone, this one happens to be gold. The inscription says… OM MANI PADME HUM in Tibetan Sanskirt which means the mantra of Avalokiteshvara
which is a bodhisattva “Pali” [wisdom] who embodies the compassion of all Buddhas or in my own words, the equivalency of what we might perceive as the wisdom of the Holy Ghost. It is the mantra most often seen carved on 'Mani Stones' and also on thogchags and jewelry. It is sometimes translated as the 'Jewel in the Lotus' but other meanings are attached. It represents the compassion of all the Buddhas.






Mahakala hand puppet mask





The Buddhist God Mahakala or in Hinduism Mahakala is the name of Shiva (The Auspicious One) and is one of the main deities in Hinduism and the supreme God of Shaivism. It is interesting to many visual and concept parallels between early Hindu and the Aztec beliefs. One might compare the blatant visual similarities of the Deity Mahakala and the Aztec God Tonatiuh see Below Image



In belief or concept, while Tonatiuh is regarded as the Sun God, he was also known as the fifth sun, because the Aztecs believed that he was the sun that took over when the fourth sun was expelled from the sky, a clear representation of 5 specific dispensations of  time on this earth or periods of enlightenment. Mahakala on the other hand is almost always depicted with a crown of five skulls, which represent the transmutation of the five kleśās (negative afflictions) into the five wisdoms or five periods of enlightenment.

While the scholars argue about the etymology of the name Cali-fornia we can turn to the early Latin maps created in the early 1500’s of which it is noted upon the very maps that they are created from earlier draughts, and we can ponder the many words of Hindu/Tibetain origins found upon them and among the Aztec, Such as The Kalaki Kings of the mythical place of Shambhala who are said to have been born and reside in it’s capitol city of Kalapa, The Hindu Goddess, [Kali] Cali, Copala, Calicuas, (Calalus) Etc.. with suggestions of the earliest terms associated with Buddhism.




Of all the items that were among the small hoard, I would have to say this one is of the most interest, we can see clearly that it bears a striking resemblance to what is called a Mandala, The Native American Mandala (wrongfully named) or what is termed as the Dream Catcher, clearly has its similarities, but what is more interesting is the meanings and purposes of  the true Mandala of the Tibetan Buddhist and the Native American Sand Paintings, interestingly enough, the only two known people to create Sand Paintings for healing purposes. Some would say the “Dream Catcher” is a recent creation of the Native Indians to sell to the White Man. I say, this is the conclusion of slothful people. Compare to the following image of today’s modern creation of a Dream Catcher and the Image of a Native American Petroglyph/Pictograph believed to be in excess of 600 years old.



If you should choose to investigate more concerning the implications herein or to further your knowledge of the possible connections between some of the first Americans and the people of India and the strange correlations that exists among the Native Tribes of the Americas and primarily Navajo, Zuni and the Aztec.






Cover Design by my friend Robert King